Celestial Subterrane at Rebekah Templeton 2012

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“The Future is here, it is just not evenly distributed” quote attributed to William Gibson


So like everyone else, I’m thinking about the future more than I should, probably

because the last couple of years bear so much weight of the past, a gravity like an old

skin that we yearn release from. Admittedly, I’ve never been one to understand my time

very well, I always seem to be peering in corners and overturning rocks, the peripheral

and the margins are places I center myself; the construction of a machine run on

desperate optimism, art making the fuel providing hope and wonder like a lantern to

lead us out of now and into then.

I am skeptical of binary technology; yet, I am fascinated with it (like everyone

else). Technology is human nature, it is the way we build nests and spin webs, it’s our

instinct, it’s in our blood and it whispers form or bones. I’ve become obsessed with the

question of how would you build a computer with no keyboard or screen; how would you

interact with the world without a binary processor or internet connection? With tin cans,

aluminum foil and safety cones of course. The construction of a Tin-Can Folklore central

nervous System, growing out of an inkblot cartography, low tech methods and

materials, tin foil, safety cones, cut paper motion sensors and compact halogen lights.

Celestial Subterrane, a way of looking both deeply and personally inward,

a subjective journey toward the center of the self; yet, simultaneously expanding

outward, skyward, toward the collective and objective. I am fascinated with creating

hand built environments that absurdly attempt to replace the macrocosmic celestial

universe and its reflection of the microcosmic internal psyche. There will be three main

sculptural pieces, a totem, a light projected wall map, an analog computer made of

string and tin can-telephones, safety cones, wood and aluminum foil. The search for a

spiritual dimension to our increasingly mediated existence is the thread that connects

these disparate elements into a contextual framework.


Tyler Kline 2012


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